Photographs from conflict zones can be a powerful tool to depict the suffering and violence that viewers often have a hard time comprehending; however, they often do not elicit universal reactions. The biases of either the photographer or the viewers can dramatically change the impact of the photograph, and which side it is used to support.
Violent war photos can be used as propaganda, depending on the biases of those who view them.
Humans have a strange fascination with depictions of violence that feel very distant from us. We often seek examples of those suffering more than ourselves, and this action can elicit a large amount of guilt. This guilt often stems from the sympathy we want to feel towards the subjects of such depictions, even though they are often not relatable to us.
Humans often feel guilt and sympathy from our desire to view images depicting suffering.
There is an importance in viewing the suffering of others, specifically those in conflict zones. Photos can facilitate memory, which has a large impact on preventing future suffering in the future. Human suffering is a pervasive occurrence; the process of exposing this through photographs is imperative to help mitigate future suffering.
Photos of suffering are imperative to help mitigate future pain.